A New Companion to The Gothic. Front Cover. David Punter. John Wiley & Sons, Feb 20, – Literary Criticism – pages. Buy A Companion to the Gothic (Blackwell Companions to Literature and Culture ) New Ed by David Punter (ISBN: ) from Amazon’s Book Store. A Companion to the Gothic has 48 ratings and 6 reviews. Bill said: He took up a little, very neatly constructed pocket telescope, and looked through the.

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Providing stimulating insights into Gothic writing, its history and genealogy, it offers coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned. The commentary provides a nice connective text for them, but descends to nonsense by the end. Gothic revival Literature — United States.

A Companion to the Gothic / edited by David Punter. – Version details – Trove

This book covers a LOT of aspects of the Gothic and I can see it making a good textbook for a uni course on the subject. WileyNov 28, – Literary Criticism – pages. The shadow of patriarchy, slavery and racism, as of Puritan pknter of the imagination and the political horror of a failed utopianism, fall [sic] across these works of American Gothic and direct its shape towards a concern x social lunter political issues as well as towards an angonised introspection concerning the evil that lies within the self.

Public Private login e. Gothic fiction Literary genreEnglish — History and criticism. Dylan rated it really liked it Jun 23, A Companion to the Gothic offers a range of strategies for understanding the genre, and is an excellent resource for students, teachers, and scholars of the Gothic. Return to Book Page. These 26 locations in All: A good resource, though.

This Companion is a standard reference work for scholars and students of the Gothic from its origins to the present day.

With something like the bemused detachment of Henry Tilney warning Catherine Morland about the perils—and just plain silliness—of over-interpretation, Baldick and Mighall find most of twentieth-century Gothic criticism “radically misguided” p. Can You Forgive Her? The Magical Realism of the Contemporary Gothic. Romanticism on the Net no.


A New Companion to The Gothic

So, too, does Julia Brigg’s entry on “The Ghost Story,” although one might question as too exclusive her assertion that ghost stories are “partly characterized by the fact that their supernatural events are left unexplained” p. Goes puntee the subject a little deeper than xompanion other few books I’ve read. Wagga Wagga Campus Library. Another all-inclusive guide to all things Gothic fictional. Barry Belmont rated it really liked it Dec 20, Would you like to change to the site?

Gothic and the Madness of Interpretation.

A Companion to the Gothic

David Punter is widely recognized as the founder of moderncriticism of the Gothic, and is therefore ideally placed to editwhat has become the standard reference work companino scholars andstudents of Gothic. Can You Forgive Her?

Gothic has come to serve as a kind of cultural threshold, or as a repertoire of images that fatally undercut the ‘verbal compact’ on which, among other things, the modern state rests” p.

Mary Shelley Author of Frankenstein. As well as providing a series of stimulating insights into Gothic writing, its history and genealogy, the volume also offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned.

You also may like to try some of these bookshopswhich may or may not sell this item. In Search of A Definition” is just that: Serious gothic writing manifests a deep anxiety about the permeability of such boundaries.

Fictional Vampires in the Nineteenth and Twentieth Centuries. Horror tales, English — History and criticism. The Continuing Debate This book is not yet featured on Listopia. Horror tales, American — History and criticism. Unlike most other essayists, the authors attempt to outline their conception of “Gothic”: To read many texts and yet get the same ideas from them — primal scenes, phalluses present and absent, castration fears, returns to the womb — seems a terrible waste of time, even worse when I suspect that the authors knew they were going to find these things before even starting their analysis.

Literature, Addiction, Secrecy Account Options Sign in. The characteristic speech act of this world is the elegy, whether spoken by the chieftain mourning his slain children or sung by the aged bard, the last of his race mourning himself and that posterity which is occupied only by our act of reading.


Both “background” essays acknowledge a progressively bourgeois thrust to Gothic engagements with economic and gender issues, but both also insist upon its subversive power. In his essay on Radcliffe and Lewis also in the “Backgrounds” sectionRobert Miles provides the best exegesis of Botting’s line of argument in contrasting the ways these seminal figures of female and male Gothicism foreground the interests of more recent critical theory: Account Options Sign in.

Tags What are tags? Gothic in the s Glennis Byron Fin de siecle Gothic relocates the source of terror from the past and foreign lands to modern London invaded by the ‘other’ from without or within.

Review quote Reviews for the previous edition: The Ghost of a History. A Companion to the Gothic is its wealth of critical approaches from good, old-fashioned ‘history of ideas’ readings to the most sophisticated of recent theory.

Horror tales, English — History and criticism Horror tales, American — History and criticism Psychological fiction — History and criticism Gothic revival Literature — Great Britain Gothic revival Literature — United States Ghost stories — History and criticism Psychoanalysis and literature Vampires in literature Summary “The Gothic has become in recent years an enormously popular and respected field of study.

Ghost stories — History and criticism. A New Companion to The Gothic. The volumebegins with a substantial introduction, individual chapters featurelists of primary and secondary bibliographic materials, and theessays are written by leading scholars in the field.

By using our website you agree to our use of cookies. In the Gothic the phantom is that central source, manifesting a secret that disturbs, even chills.